Once established, I began to delve into the experimental form and meters of the experiential use of wording, line and sound placements. Some of my more abstract usages of form helped bring attention to my work which led to some early success. There is a range from the simplistic to the arguably dense to the inviolate and some speak, some sing, some ice and some reveal. Ultimately, it was my goal to give the reader a sense of experience in the work with a built-in soundtrack the mind hears with a flow the eye sees.
The following is an early attempt:
I FELL INTO THE SKY
She was dancing...
hands rolling over
turning and sliding
gracefully dodging the air
in careen and about
bent poised back
with her smooth neck straight
her legs tilted
swaying round and round
of report to her spirit
swirling and pivoting
transparent veils wafting in
swirling and pivoting
transparent veils wafting in
arcing free delight
choir lips singing
and her eyes wet glistening
in the dewy air staring
at me so far into me
as if to see if I'm drowning
she gazes while moving
swirls fingertip touches with
hands upward twirling
in air caress traces
a hip's slowing sway
fair gracefully motive
quiet padding feet
swishing nearer
leaping flying
landing at my feet rising
circling close I feel breathing
hear hair's rhythmic whispers
know passion splashed eyes
taste brine sweat of her body
wonder in this time
hope dream in this time
her placed kisses falling
down a hot cheek trickling
like sand pulling down through
and tumbling into
the hourglass' curved center
as breasts dance light on my body
she sifts chaffe from my knowledge
beauty rises
sand falls
like a man in his seduction.
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